Typography - Task 3: Type Design & Communication

 

11/11/2024 - 23/12/24 / Week 7 - Week 14

Aquela Zefanya Soares / 0374377

Typography / Bachelor of Design (Honours) in Creative Media / Taylor's University


TABLE OF CONTENTS


INSTRUCTION


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TASK

We were given the task of creating our own typeface and designing a poster with it.

1. Practice and Sketches

Before starting, Mr. Vinod told us to practice with three different types of nibs/tips.

Fig 1.1 Sketches (18/11/2024)

Fig 1.2 Writing practice using 3 different nibs (18/11/2024)

I ended up liking Pen 1 the most and decided to develop my typeface based on the style I used when writing with the flat nib.

2. References

Since I knew the direction I wanted to take, I searched for references that aligned with my idea and eventually discovered that semi-serifs existed. I ended up liking that style.

Fig 2 References (19/11/2024)

3. Digitalization 

Deconstruction

To understand fonts better, Mr. Vinod asked us to dissect a typeface similar to our vision, and I chose Bodoni Std Roman.

Fig 3.1 Deconstructing the letters 'H,' 'o,' 'g,' and 'b' (19/11/2024)

From the dissection, I realized that the letter 'H' is vertically symmetrical, with its sides mirroring each other. The bowl in the letters 'b' and 'g' shares a similar structure to the 'o,' and although the vertical width may not be identical, our eyes perceive them as similar, making it seem like the measurements are the same.

A. Font Design

Process

Using the flat nib, I created a typeface design that I liked, which includes the characters 'o', 'l', 'e', 'd', 's', 'n', 'c', 'h', 't', 'i', 'g', ',', '.', '!', and '#'.

Fig 3.2 Initial typeface design (18/11/2024)

Before creating the font, it's important to ensure precise measurements so that the characters have a symmetrical and balanced appearance. That's why I need to create the guidelines first.

Fig 3.3 Making the guidelines (20/11/2024)

Measurements 

Ascender line: 750 pt
Cap line: 700 pt
Median line: 500 pt
Baseline: 0 pt
Descender line: -250 pt

Since I want to create the letters using shapes, I cut out several shapes that I can reuse for other characters or remake if I'm not satisfied with the final results.

Fig 3.4 Cut out shapes (20/11/2024)


From this point, I’ll describe the process of creating the characters. I only elaborate on the detailed steps for the letters 'o', 's', 'e', and 'n', as I used them as the base for most of the other characters. For the rest, it's just a matter of adding the cut out shapes. The timeline is different because some letters needed further adjustments after getting feedback from Mr. Vinod.

Fig 3.5 Letter 'o' progress (20/11/2024)


Fig 3.6 Letter 's' progress (29/11/2024)


Fig 3.7 Letter 's' full progress (29/11/2024)


Fig 3.8 Letter 'e' progress (20/11/2024)


Fig 3.9 Letter 'n' progress (20/11/2024)

1. Before Feedback

After creating all the characters, I put them together as a temporary typeface.

Fig 3.10 Digitalization (Before Feedback) (25/11/2024)

2. After Feedback

Mr. Vinod said all the letters were good, except for the 's,' which didn’t work and looked weird. He also mentioned that the 'g' was too symmetrical and looked like it was about to fall, and the punctuation was wrong.

 
Fig 3.11 Digitalization (After Feedback) (01/12/2024)

After receiving the feedback, I referred to YouTube tutorials and the links Mr. Vinod gave us to make the adjustments. After Mr. Vinod reviewed and accepted the new version, I continued the process in FontLab.

3. FontLab 7

To proceed, I followed a tutorial that Mr. Vinod provided to turn the design into a usable typeface using FontLab 7. Some settings changed when transferring the characters from Adobe Illustrator, so I had to make a few adjustments. After that, I worked on the kerning for my typeface. The kerning measurements are shown in the picture.

Fig 3.12 Kerning (09/12/2024)

Fig 3.13 Font test after kerning in FontLab 7 (09/12/2024)

B. Poster 

1. References

Before making the poster, I looked at references, mostly focusing on how to make good use of composition. The reason is because all the type sizes need to be the same, which is a bit difficult for me.

Fig 3.14 References for Poster (10/12/2024)

2. Before Feedback

After finding some words I could create using the letters I made, I decided to base the poster on that.

Fig 3.15 Black & White Poster (Before Feedback) (15/12/2024)

It turns out I forgot that the poster had to include all the letters I made, so the poster I created was wrong. I made a new poster that includes all the letters, but the phrase itself felt weird. After some suggestions from Mr. Vinod, I ended up using the revised version as my final.

Final Task  3

Font: https://drive.google.com/file/d/1j8ZqSak7LaHy5csAeQN7VGHJ54fEOtyA/view

Fig 3.16 Screen Grab (15/12/2024)

Fig 3.17 Final Type Construction (15/12/2024)

Fig 3.18 Final Type Construction PDF (15/12/2024)

Fig 3.19 Final Black & White Poster (22/12/2024)

Fig 3.20 Final Black & White Poster PDF (22/12/2024)

Font Tester  

Try write using only these characters: 'o', 'l', 'e', 'd', 's', 'n', 'c', 'h', 't', 'i', 'g', 'b', ',', '.', '!', '#'





FEEDBACK

Week 8

(Independent Learning Week)

Week 9

Specific Feedback: The letter s is wrong because the top should be smaller than the bottom, and the o should be the base of some letters, the width between the horizontal and vertical lines is not the same.

General Feedback: Mr. Vinod taught us how to make letter s smoothly and told us that while making letter t, generally the left side is smaller than the right side, so we need to paid more attention to that.

Week 10

Specific Feedback: All letters already good except for the letter s, it needs to be reworked because it doesn't work. The punctuation is wrong and must be rework referring to the guide in Microsoft Teams.

General Feedback: Mr. Vinod guided us and checked our work personally to point out our mistakes and provide feedback.

Week 11

Specific Feedback: The overall design is okay, but the letter g needs to be adjusted a little. 

General Feedback:  Mr. Vinod guided us and checked our work personally to point out our mistakes and provide feedback.

Week 12

Specific Feedback: The overall design is okay, but the letter g needs to be adjusted a little. 

General Feedback:  Mr. Vinod guided us and checked our work personally to point out our mistakes and provide feedback.

Week 13

Specific Feedback: The poster was incorrect because I didn’t include all the letters I had created. After I revised it, Mr. Vinod suggested moving the words around to improve the reading flow and overall composition.

General Feedback: Mr. Vinod guided us and checked our work personally to point out our mistakes and provide feedback.



REFLECTIONS

Experience

This task was both challenging and interesting for me because I had no idea that making a typeface would be this difficult. I knew traditional calligraphy was hard, but trying it myself proved just how tough it really is. Even after a lot of practice, I can't say my results are decent, but as Mr. Vinod said, it is still a hundred years too early for me to have a decent skill. Regardless, I’m still happy with the results.

The whole process was fun because the idea of creating your own typeface is just so cool. However, there is so much to consider, like the measurements for the characters, the kerning, and even the optical illusions you constantly have to watch out for. It is definitely hard work, but it is all worth it when you see your own typeface. It feels so rewarding.

Observations

I love observing my classmates. It’s refreshing to see that I’m not the only one struggling with the nib exercises. I like how it’s also the first time for many of them, which makes everything more fun and inspires me to practice more.

For the font itself, doing the dissection helped me realize that I don’t necessarily have to create every single letter from scratch. Some letters can serve as a base, or the same rules can be applied to other letters so they follow similar principles. This is why, when working on the kerning, some letters follow the 'base letters.'

I also learned some fun facts along the way. For example, I didn’t realize before that the top and bottom parts of the letter 's' are not the same size, which is done to make it look balanced. Also, the horizontal line in the letter 't' isn’t the same length on both sides. Because of this, I’ve started to notice that not every letter in a typeface has equal spacing, but it looks consistent because our brain tricks us into perceiving it that way.

Findings

From this task, I learned how to use three different pen nibs and how to apply them in the future. I also learned how to create my own typefaces. There are many things I needed to pay attention to, especially how to properly measure everything. In order for the characters to look good, I realized I need to understand the basic concepts, not just rely on my eye. I learned to really observe other typeface creators’ perspectives and try to implement those ideas into my own work.

Through this assignment, I also got the chance to learn a new app, FontLab 7. Since the layout is a bit similar to Adobe Illustrator, I didn’t have much trouble adapting to it. By doing this I learned that there’s a lot to consider when adjusting the kerning for each character, and how important it is to make sure everything looks visually balanced and interesting.

This assignment has made me see typefaces differently. They’re not just text for us to read, there’s so much creativity and thought process behind them, which makes them beautiful.




FURTHER READINGS

To help me do this assignment, I found important essences that I can apply in each task that I got from the book that I read.

Fig 4.1 On Web Typography, Jason Santa Maria (2014)

Book cite: Maria, J. S. (2014). On Web Typography. Adams Media.

Fig 4.2 Evaluating Typefaces (page 23)

This part helped me realize the direction I want for my typeface. I plan to incorporate some serifs into the design. Most importantly, I want to ensure that people can read my text clearly and without difficulty.

Fig 4.3 Evaluating Typefaces (page 36)

From this part, I realized that maintaining a proper x-height is crucial because it can affect reading comprehension if the letters appear too similar, especially 'a', and 'o', 'h', and 'n'. It's also important to pay attention to the closures and apertures in the characters. Since the x-height influences these features, any misalignment can negatively impact readability.

Fig 4.4 Choosing and Pairing Typefaces (page 65)

This part helped me understand the direction I wanted for my typeface. Since I really like the look of Bodoni, I realized that I want to create a high-contrast typeface. With that in mind, I adjusted my x-height accordingly.


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